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This record, um, I still look back on really fondly, on making this
We made it at Eric's, we had just made the East Nashville Skyline
Record, and um, I had toured it. And, let's see, there's a little
Backstage, but I had made three records for Oh Boy and that was as
Many as I owed them. And before that I'd been on Universal. And um
They called me back and said that they were gonna do a best-of album
And that I could pick the songs and sequence and everything if I
Would do one more album for them. And so I said, "Oh for sure I'll
Do that." And it was a guy named Bob Mercer, who I've talked about
A lot. Um, Al Bonetta and Bob Mercer always worked in my life, and
At this point in my life they brought a guy named Bert Stein who's
Been overseeing all this for years and years. This record was the
Very beginning of meeting him. They uh, they wanted, uh, Bob asked
Me to go meet Bert. And I, um, I remember, I'll get to a song here
In a second, but I remember after East Nashville Skyline I didn't
Have any more songs. I had done the one about Mike, Iron Mike was
The last old one that I felt cool about, and I was down to nothing
And um, so I agreed to make this album, and um, Mercer took me out
To dinner with some guys, there's always some guys, you know. So um
We were talking at dinner and Bob told, asked me to tell them what
The new record was gonna be about and how, and I didn't have any
Songs. Did I ever tell you this? Didn't have any fucking songs. And
So I said, "Well I don't have any songs yet." And he went, "Oh quit
Fucking around." And then one of the guys, he whispered to me, "You
Better not dry up on me now you little motherfucker." And uh, and
That fucking put the fear of God in me. I didn't make up anything
For months and then I made up a song called Karla and played it for
Peter Cooper and felt good about it. And then I was off and running
And then this one that we started the record with, in my mind there
Was this kind of conceptual thing, and the whole record was gonna end
With um, a ballad version, a piano ballad version of Fish and Whistle
, Which it did. I recorded it but it didn't make the record. And I
Wanted the record to start with, um, so if you
Check out the record it starts with this piano
And if you listen close the melody in there is
Father forgive us for what we must do
You forgive us and we'll forgive you
We'll forgive each other 'til we both turn blue
And then we will whistle and go fishing in heaven
If tomorrow never comes
I don't give a damn
If tomorrow never comes I ain't gonna be
Afraid to meet my maker just the way that I am
You can't prove anything but one thing is true
If you could steal from me I could steal from you
I said that any kind of heaven everybody didn't
Get in wouldn't seem like no heaven to me
They tell you that the Garden of Eden was perfect
But you couldn't even eat off the apple tree
And for heaven's sakes, you had to watch them steaks
Lying to your woman constantly
Adam must have scratched his head, looked up to heaven
And said, "Lord, you know, this isn't doing it for me."
If tomorrow never comes
I don't give a damn
If tomorrow never comes I ain't gonna be afraid
To come and meet you just the way that I am
Can't prove anything I'm dying to
If tomorrow never comes tonight will have to do
I said I can't do anything I'm dying to
If tomorrow never comes I guess tonight will have to do
I said I don't ever claim to know what's going on around here
I don't even know where I'm from
I know where I'm going when I get to where
I'm going, what I'm doing when I get done
They tell me I'm forgiven if I ask to be
I say, well, permission shouldn't come so easily
I am piling Coors up underneath this apple tree
I'm singing, "Oh Lord, have mercy on me."
If tomorrow never comes
And tonight is all I've got
Well if tomorrow never comes I don't wanna be afraid
To come and meet you just the way that I'm not
You can't do anything and then you die
If I judge the judgmental, well then what am I?
Either way I'm every guy that I've ever tried not to be
I want everything just as good as it gets
I have learned nothing but that there's another sunrise coming for me
All but one of these times that it sets
And if tomorrow never comes
Well, tomorrow never comes
If tomorrow never comes
I guess tomorrow never comes
If we were all good people we could work in perfect rhythm
If worms had daggers birds wouldn't fuck with 'em
Man, that was not what I meant to do at the end. My hands just were
Like, "Nah, we're gonna do a different thing than you say." That was
Funny. Well, alright, we're one song in. Only took us about a half an
Hour. Hope you're enjoying your week. This record, I called it The
Devil You Know. That was a phrase I'd heard, you know. The Devil
You know, like, in fact at those times I was thinking, "Is this what
I'm gonna do, I'm gonna be a singer for the rest of my life?"
You know. Uh, I knew I wanted to be but there was like, anytime
I'd think of doing something else I'd think, well, that, you know
That would just come with the, whatever aches and pains I was having
About the line of work I was in would've been, would come with any
Line of work, you know? That's what I thought. Um, but there's hard
Years if you're a troubadour like this, the 30s, the 30s to the
Mid-40s, you play eight or nine nights a week and you're like a
Sock in a dryer. That's when I met everyone, that's when I met most
Of you. And I'm sorry about whatever happened that night. Um, you
Know, I was looking for good times. I forgot, I'm sorry I broke
Your thing, um, or whatever. I didn't mean to say that in front of
Your parents. Whatever it was, I don't know. But this was this time
I was working so hard. Um, in fact it was on this album that we
Got to move to a bus, which changed things a lot. Um, which, you
Know, knock on wood, that's a really luxurious way to get to travel
It makes it so you can do it into your older ages. Anyway, blah